Student Success
Recent Credits for VanArts Graduates
Graduates in Game Art & Design at VanArts are working at major studios all over the world, on everything from mobile games to AAA console titles.
…and it doesn’t end with video games. The skills they learn cross over into animation & visual effects companies as well!
Studios that hire our grads include Electronic Arts, Ubisoft, Animal Logic, Digital Domain, IGG Canada, Kabam, Rogue Factor, Koolhaus Games, Next Level Games, ICON Creative, Waterproof Studios, Cyberconnect2, & many more.
Meet Raja Ghosh: Environment Modeler
Raja is one of our many students from India who has successfully found employment in the video game industry, currently at Remedy Entertainment in Finland on award-winning games like CONTROL.
Curriculum
Term 1
The Game Art & Design program begins by teaching the fundamentals of traditional and digital art forms. Within traditional art, life drawing, anatomy, perspective, color theory and composition are the roots of observational skills applying to all forms of art. Simultaneously, we teach the core fundamentals of current digital art programs such as Maya, Zbrush and Photoshop. This combination of balanced instruction in both the traditional and digital art forms lays the foundation for your success as a well-rounded digital artist, including introductions to game engines and mobile gaming.
3D Fundamentals Analytical Figure Drawing 1 Animation for Games Art Foundation Game Engines 1 High Rez Modeling 1 Photoshop 1 Production History & Game Analysis
Term 2
With a foundation in traditional and digital art from Term 1, the focus in Term 2 turns to more advanced techniques and how they apply specifically to the video game industry. You will advance your 3D skills and apply them from concept development to modeling, through to a final professional art asset. Term 2 becomes a vital first run pass through the Game Art Pipeline, and also advances into concept development for mobile games.
In Term 2, you will also embark on a 6-week “comic book assignment” where you create a game level based on a popular comic character entirely on your own. This exercise helps you identify your strengths and weaknesses as a game artist, and prepares you for a group project in the upcoming Term 3.
Analytical Figure Drawing 2 Character Modeling 1 Digital Concept Art Environment Modeling 1 Game Engines 2 Hard Surface Modeling 1 High Rez Modeling 2 Texture Painting 1
Term 3
Term 3 is focused on “combining disciplines” and “bringing it all together”. In this term you will learn more advanced techniques for pre-production and be introduced to the industry production-pipeline and work-flow concepts. Working in a studio-like environment, you begin the term by pitching your project idea for your final demo reel. Once approved, your project is moved through the production pipeline. Industry-style weeklies are introduced where your work is critiqued by the instructors, and constructive criticism is given to ensure quality and to keep you on schedule.
Students also work as a team in Term 3 to produce a fully-fledged video game demo in 8 weeks, and smaller teams can group up to pitch mobile and console game concepts.
Art Direction 1 & Concept Development Character Modeling 2 Digital Concept Art 2 Environment Modeling 2 Game Engines 3 Hard Surface Modeling 2 High Rez Modeling 3 Shading for Games 1
Term 4
The final term is dedicated to the production of an industry-grade demo reel to show potential employers. Under the guidance of our industry-pro faculty, you will apply the knowledge and experience you have gained throughout the year. Post-production techniques such as compositing are introduced, while weeklies and tech support ensure the final quality of your reel, the most important asset and foundation for your entry into the industry. Visit us on YouTube to view samples of student demo reels.
Art Direction 2 Character Modeling 3 Environment Modeling 3 Game Art Weeklies Hard Surface Modeling 3 Post-Production Support Shading for Games 2 Texture Painting 2
Faculty
Wade Howie
Head of Visual Effects and Head of Game Art & DesignAbout
Wade Howie
Head of Visual Effects and Head of Game Art & Design
A pioneering artist in digital visual effects, Wade Howie’s production career spanning 3 decades has included 12 years with George Lucas’ Industrial Light and Magic as VFX Supervisor/Director, Head of Modelling and Animation, & Creative Director for animated TV and commercials. His other roles include Art Director for games at Electronic Arts, on-set Supervisor for various CG/live action hybrid productions, and journeyman FX and lighting artist for film & TV. His feature credits include Terminator 2, Hook, Star Trek VI, Jurassic Park, The Mask, Casper, The Wild, Watchmen, TRON:Legacy and The Thing. As well as training and mentoring new CG artists in industrial settings across Europe, US, Canada and Africa, Wade has worked as a college professor and consultant for new studios bringing CG artists online. Wade has also contributed at software development firms Alias Research Inc. (Maya) and Side Effects Software Inc. (Houdini), and has a background in traditional art and design as well as filmmaking. Wade has received many awards for the commercials he has supervised, Clio (Animation): Star Wars Pepsi (Marfalump), Clio (VFX): Dodge 1997 campaign, Animation Magazine Awards: Hefty GingerBread Man & Rhythms.com Data Dancers, and Prix Pixel/INA, CGX: Pepsi Japan Pepsiman campaign. IMDB
Izmeth Siddeek
InstructorAbout
Izmeth Siddeek
Instructor
Izmeth Siddeek has over a decade of professional experience in the film & video game industry as a Lead Character Artist, Visual Development Artist, and Modeler. He has worked on Fifa 2007 at Electronic Arts Canada, Mass Effect 1 at Bioware, and most recently at Vancouver’s Capcom Games Studio on Dead Rising 2, Dead Rising: Case Zero and The Bigs at 2k Sports. He is proficient in several software packages and has presented his work at the Game Developers’ Conference (GDC) in San Francisco. Izmeth has also worked on the films Superman Returns and Scooby Doo 2. IMdB Game Developers’ Conference
Lisa Griffiths
InstructorAbout
Lisa Griffiths
Instructor
Lisa has 8 years of professional experience in a variety of creative roles including 3D Modeler, Sculptor, Texture Artist, Animator, 2D Concept Artist, Animator and Illustrator. After graduating from Digital and Classical Animation at Capilano University she worked as a freelance artist on children’s TV show pitches and educational games. She gained her first studio experience at Blue Castle Games where she learned the pipeline for realistic console games such as The Bigs 2 and MLB Manger, then transitioned onto the action adventure title Dead Rising 2 at Capcom. She later made the shift into mobile games where she worked on Sky Punks, a children’s title, at Fathom Interactive and a currently unannounced title at IGG. Lisa also has a Bachelor of Arts in Psychology and a keen interest in human development. She is fascinated by the ways in which people overcome challenges and evolve as learners.
Martin Bastian
Instructor - MayaAbout
Martin Bastian
Instructor - Maya
Martin Bastian has more than 15 years of professional experience in the animation industry. He has worked in various roles of production, from 3D Generalist and 3D Character Animator to Lighting & Composting Artist and CG Supervisor. Major companies he’s worked at in Vancouver include Mainframe Studios, Bardel Entertainment, Atomic Cartoons & Arcana Studios. He is currently working for some major animation shows in production.
Gilberto Jimenez
InstructorAbout
Gilberto Jimenez
Instructor
Gilberto graduated from VanArts and has over three years experience as a VFX Environment Artist and CG Generalist for film and TV, game trailers and cinematics, and animation in Vancouver studios such as MPC, Bardel, LUX Vfx, and IGG Inc. A fast learner who is always willing to try different things, acquire new techniques and work with the shared disciplines of the creative CG craft, he’s also made short films, some of which were exhibited at international film festivals such as Short Shorts, Short Shorts Asia & Japan, CutOut Fest, and Monterrey International Film Festival. Currently developing new artistic projects for future distribution, he works full time as an Environment CG Generalist at IGG Vancouver on the cinematics team.
Ferdinand Donessa
Instructor - EnvironmentAbout
Ferdinand Donessa
Instructor - Environment
After graduating from VanArts, Ferdinand worked as a Teacher’s Assitant for the Game Art and Design Program. In the last few years, he has garnered experience as a technical artist, modeler, surfacer, and look-dev artist. Playing a role in a wide variety of projects, he has been able to expand his knowledge and adapt to the different work environments for mobile gaming and animation. He has worked in several Vancouver studios including Koolhaus Games, Wildbrain Studios, and Bardel Entertainment.
Overview
Program Duration
12 MonthsNext Start Dates
September 3, 2024 March 10, 2025 September 2, 2025 March 9, 2026The Game Art & Design diploma program is a hybrid of traditional and digital art, right from foundation to specialization. Here you get to focus your craft in creating concept art and assets for the film, game and television industries, with an equal emphasis on art development for mobile gaming and 3D console games and creating fully play-able video game levels in Unreal Engine.
Through individual assignments and group projects, you are taken through the entire pipeline for video game production. Your final demo reel can focus on character modeling, environment modeling, concept art, or specialized tasks such as rigging, level design, or VR game development.
Skills You Will Learn:
• Training in Maya, ZBrush, Python
• Game development in Unreal engine
• 3D modeling & figure drawing
• Surface, shading & texture design
• Mobile & VR game development
• Motion capture
Career Opportunities:
• Game Designer or Developer
• 3D Modeler (Characters or Environments)
• Concept Artist
• Texture Artist
• Rigging Artist
Industry-professional instructors in this program teach in-person at our Vancouver campus as much as possible, while some instructors may also teach remotely. Remote instructors still teach lessons to all students at once, whether they be on-campus or off-campus.
PTIB Approved
This program has been approved by the Registrar of the Private Training Institutions Branch (PTIB) of the Ministry of Advanced Education, Skills and Training.
Degree Pathways
VanArts has articulation agreements in place with several well established universities/colleges in Canada, the USA, Australia, New Zealand and the UK. These degree pathways allow you to complete your bachelor’s degree in as little as one year after your studies at VanArts. This gives you the advantage of two credentials; a professional diploma and an undergraduate degree. These partnerships may not only save you money in tuition cost, but allows you to transition easily from VanArts to the partner institution while continuing your educational pathway in your chosen field of study. For international students, completing your BA degree in as little as two years of additional study with our local university partners provides you with the option to apply for a Canadian work permit, which may lead to permanent residency or Canadian citizenship. This list represents the pathways, universities and specific degrees available for graduates of Game Art & Design at VanArts:
Tuition Costs
Canadian
$34,750.00 CADInternational
$41,750.00 CADAdditional Information
Payment Schedule
10% deposit upon acceptance to hold your seat
40% six weeks prior to start date
50% by end of Term 1 (3 months into studies)